Category: painting

Michael Carini | SHOP NOW

Michael Carini | SHOP NOW

“Faces Of The Parabox” is a subset from “The Boy In The Box” series. Commencing upon the precipice of homelessness, “The Boy In The Box” follows the rigid geometric structuring of the “The Up-Side Of Down” and represents the perpetual quest for personal freedom and breaking outside of the box. We often create our own boxes. This painting reflects upon the only person that can change your life. It’s you!

Learn more at CariniArts.com and get your “Mirror rorriM” canvas art.

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

“The Up-Side of Down” was inspired by a 2009 assault and battery that hospitalized me with multiple facial fractures, severe eye trauma, and a concussion. My signature icon, which I saw flashing in my head during the concussive state, is a key repeating element in this series that represents life growing from death and discovering the positives in negatives.

“Midnight Dancer (Take Me Away)” was the very first painting I ever created for Deanne Hastings, my best friend and the person I loved most in the world. She used to call me her “Wings” and is the reason I have them tattooed on my back. Tragically, Deanne went missing in 2015 and has yet to be found. I still think about her every single day and a number of the paintings she inspired were sent to her family for her children to have one day.

This is one of the most valuable pieces I have in my studio. It is the two final postcards of the show I dedicated to her in 2010. If you take a close look, you can read the statement from the show. I came across these in my car long after she disappeared. I was also blessed to come across her handprints on my “10 Year Floor Canvas,” which also now hang in studio so she can continue to be with me as she continues to inspire me and my work. I hope I’m making her proud. I wouldn’t be the man I am today if it wasn’t for her. I love how this photo picks up the reflection of the window likes it’s a window between here and heaven, allowing us to see each other again for just a moment.

See more at CariniArts.com

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

“The Up-Side of Down” was inspired by a 2009 assault and battery that hospitalized me with multiple facial fractures, severe eye trauma, and a concussion. My signature icon, which I saw flashing in my head during the concussive state, is a key repeating element in this series that represents life growing from death and discovering the positives in negatives.

“Midnight Dancer (Take Me Away)” was the very first painting I ever created for Deanne Hastings, my best friend and the person I loved most in the world. She used to call me her “Wings” and is the reason I have them tattooed on my back. Tragically, Deanne went missing in 2015 and has yet to be found. I still think about her every single day and a number of the paintings she inspired were sent to her family for her children to have one day.

This is one of the most valuable pieces I have in my studio. It is the two final postcards of the show I dedicated to her in 2010. If you take a close look, you can read the statement from the show. I came across these in my car long after she disappeared. I was also blessed to come across her handprints on my “10 Year Floor Canvas,” which also now hang in studio so she can continue to be with me as she continues to inspire me and my work. I hope I’m making her proud. I wouldn’t be the man I am today if it wasn’t for her. I love how this photo picks up the reflection of the window likes it’s a window between here and heaven, allowing us to see each other again for just a moment.

See more at CariniArts.com

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

Commencing upon the precipice of homelessness, “The Boy In The Box” follows the rigid geometric structuring of the “The Up-Side Of Down” and represents the perpetual quest for personal freedom and breaking outside of the box. We all create our own boxes and some more than others.
This painting tells a story of creation and the interconnectedness of relationships. If you look closely, you may spot a large figure in the upper right corner and a much smaller figure in the bottom right. The smaller figure is in a state of genesis, feeding and growing from the nourishment and energy of the other.

This painting does does has ties to a specific creation story, referencing Eve being created from the rib of Adam. The female form form was modeled after someone that later came back and vandalized the painting, cutting through it right where Eve’s rib is. I had to patch Eve’s rib and carefully repair it, which I feel added to the symbolism and energy of the painting.

Learn more and get yours at CariniArts.com

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

Commencing upon the precipice of homelessness, “The Boy In The Box” follows the rigid geometric structuring of the “The Up-Side Of Down” and represents the perpetual quest for personal freedom and breaking outside of the box. We all create our own boxes and some more than others.
This painting tells a story of creation and the interconnectedness of relationships. If you look closely, you may spot a large figure in the upper right corner and a much smaller figure in the bottom right. The smaller figure is in a state of genesis, feeding and growing from the nourishment and energy of the other.

This painting does does has ties to a specific creation story, referencing Eve being created from the rib of Adam. The female form form was modeled after someone that later came back and vandalized the painting, cutting through it right where Eve’s rib is. I had to patch Eve’s rib and carefully repair it, which I feel added to the symbolism and energy of the painting.

Learn more and get yours at CariniArts.com

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

In August 2012, at the age of 28, I was reconnected with the biological family I never knew. At that time, I learned that my father, also named Michael, did not die in a car accident as I had always been told. Rather, I came to find out that he took his own life on my mother’s 21st Birthday, just shortly before I turned a year old. He did not leave a note. Almost 30 years later, in my most personal and emotional creation to date, I wrote that note for my father. Written through our collective heart, eyes, and hand, that piece of our soul is “Michael’s Note.”

“Michael’s Note” was followed by half a decade of critical introspection, reflection, and expression in the form of a visual history paradoxically representing a singular moment, time, and experience as well as momentum, time, and experience in their totality. Completed in the Spring at the age of 33 and given life in conjunction with the Summer Solstice, “Reign Upon Sonrise” is a five year meditative reflection of a simple complexity, or “simplexity.” A 49 canvas polyptych with a myriad of possibilities and experiences, this meditation is a personal and elemental narrative veiled under the umbrella of a fractalized spectrum of sub-narratives called “Reigndrops.” Peering into the human soul with no definitive beginning or end, may you enjoy your journey across the “Reignbough” and discover the enlightenment you seek in the “Reign Upon Sonrise.”

Dedicated to the father I never had the honor and privilege to know-

Learn more and feed a starving artist at CariniArts.com

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

In August 2012, at the age of 28, I was reconnected with the biological family I never knew. At that time, I learned that my father, also named Michael, did not die in a car accident as I had always been told. Rather, I came to find out that he took his own life on my mother’s 21st Birthday, just shortly before I turned a year old. He did not leave a note. Almost 30 years later, in my most personal and emotional creation to date, I wrote that note for my father. Written through our collective heart, eyes, and hand, that piece of our soul is “Michael’s Note.”

“Michael’s Note” was followed by half a decade of critical introspection, reflection, and expression in the form of a visual history paradoxically representing a singular moment, time, and experience as well as momentum, time, and experience in their totality. Completed in the Spring at the age of 33 and given life in conjunction with the Summer Solstice, “Reign Upon Sonrise” is a five year meditative reflection of a simple complexity, or “simplexity.” A 49 canvas polyptych with a myriad of possibilities and experiences, this meditation is a personal and elemental narrative veiled under the umbrella of a fractalized spectrum of sub-narratives called “Reigndrops.” Peering into the human soul with no definitive beginning or end, may you enjoy your journey across the “Reignbough” and discover the enlightenment you seek in the “Reign Upon Sonrise.”

Dedicated to the father I never had the honor and privilege to know-

Learn more and feed a starving artist at CariniArts.com

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

“Astranomelly” was the culminating piece of my artist residency in Downtown San Diego. During the months of April/May (2012) I spent 50 days painting on Broadway Avenue, generally averaging 10-12 hours per session and never taking a single day off. Basically living in the studio as I found myself on the precipice of homelessness, this climactic creation measures 6.5′ x 10′ and is representative of my collective experiences as “The Boy In The Box.” The culture shock of the residency experience made this both an artistic opportunity and a sociological experiment as I found myself imbued with the regionalism of this foreign community and was indoctrinated into their culture. The individuals that visited and shared their stories during my tenure in the box were all incorporated into the painting, their names inscribed in the underpainting that surrounds the iconic vortex (or black hole) that is simultaneously a symbol of the outward eyes looking in at me as I poured my soul into the canvas. The concept for “Astranomelly” came to me on a car ride home at 3:30am as I listened to the track “Battling the Sun” by local musician Astra Kelly. I had met Astra earlier that evening when she stopped in during a rare San Diego storm. The rest of the story I now leave with you.

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

The artist journal and the messages from it were started around 2011 when I was on the precipice of homelessness. I didn’t have the resources the paint, so painting the words in the journal satiated that desire just enough until I could get back on my feet again. I realized there are lots of other people struggling out there and perhaps they could use some hope and encouragement from someone that has been in their shoes. We all need a little boost sometimes and our vulnerabilities have the power to make us stronger both individually and collectively. These pieces are just a small sample from my hundreds of journal entries.

Some of the greatest artists in history received little recognition while today you can have millions of followers on social media for all of the wrong reasons. The number of people that know you or know your work has little to no correlation with your personal value. Always remember that and make the work you need to make. The right people will pay attention and those are the lives you will change. It’s better to build one real connection than to have a million fake ones. Success and fame are an illusion. True success can only come from within. It is only by knowing yourself that others can truly begin to know you. 

Michael Carini | SHOP NOW

Michael Carini | SHOP NOW

Rising phoenix necklace for the phoenix rising in you