Author: ACRYLIC ALCHEMY

acrylicalchemy: Michael Carini | SHOP NOW Frac…

acrylicalchemy:

Michael Carini | SHOP NOW

Fractured Realities And Dreams Brought To Light

This painting tells the story of a female phoenix rising from the ashes 

acrylicalchemy: Michael Carini | LEARN MORE “T…

acrylicalchemy:

Michael Carini | LEARN MORE

“The Up-Side of Down” was inspired by a 2009 assault and battery that hospitalized me with multiple facial fractures, severe eye trauma, and a concussion. My signature icon, which I saw flashing in my head during the concussive state, is a key repeating element in this series that represents life growing from death and discovering the positives in negatives.

“Midnight Dancer (Take Me Away)” was the very first painting I ever created for Deanne Hastings, my best friend and the person I loved most in the world. She used to call me her “Wings” and is the reason I have them tattooed on my back. Tragically, Deanne went missing in 2015 and has yet to be found. I still think about her every single day and a number of the paintings she inspired were sent to her family for her children to have one day.

This is one of the most valuable pieces I have in my studio. It is the two final postcards of the show I dedicated to her in 2010. If you take a close look, you can read the statement from the show. I came across these in my car long after she disappeared. I was also blessed to come across her handprints on my “10 Year Floor Canvas,” which also now hang in studio so she can continue to be with me as she continues to inspire me and my work. I hope I’m making her proud. I wouldn’t be the man I am today if it wasn’t for her. I love how this photo picks up the reflection of the window likes it’s a window between here and heaven, allowing us to see each other again for just a moment.

See more at CariniArts.com

acrylicalchemy: Michael Carini | LEARN MORE “R…

acrylicalchemy:

Michael Carini | LEARN MORE

“Regenaissance (Polyversikube)” is a nine canvas polyptych conceptually inspired by the principle elements of fractals, the Golden Ratio, and a Rubik’s Cube. The name “Regenaissance” is an abstract composite derived from the words Renaissance (meaning “rebirth”) and Genesis (meaning “the beginning”). Presented in a 3 x 3 structural format, each of the nine components can be moved, rotated, and rearranged so that any side of any element can connect to any side of any of the other eight pieces. The result of the calculated configurations is a broad and almost limitless spectrum of orientations and variations with which to play; 95,126,814,720 to be exact.

Learn more at CariniArts.com and see sample videos of the creation process.

acrylicalchemy: Michael Carini | LEARN MORE Co…

acrylicalchemy:

Michael Carini | LEARN MORE

Commencing upon the precipice of homelessness, “The Boy In The Box” follows the rigid geometric structuring of the “The Up-Side Of Down” and represents the perpetual quest for personal freedom and breaking outside of the box.

“Chasing The Gate (Searching For Deanne)” reflects upon feelings of anxiety, depression, and glimmers of hope as it highlights the disappearance of my best friend and muse, Deanne Hastings, in 2015. Deanne always called me her “Wings” and is the reason I have them tattooed on my back. Now she is my “Wings”…my guardian angel. This painting depicts a long and arduous quest to find Deanne and meeting her again one day at the gateway of heaven.

“The Gate Of Alchemy” or “The Gate Of Truth” is a metaphysical and metaphorical structure and the central point of transmutation in Acrylic Alchemy. I created Acrylic Alchemy based on the principal that if I utilize my pain and struggle to create something positive and beautiful, if I learn to love it, it can no longer hurt me. Learn to master your pain. Don’t let it consume you. Embrace the suffering and use your pain for the greater good. There are a lot of people out there that need their “Wings.”

This painting and many more are available at CariniArts.com at affordable prices with worldwide shipping (free on qualified orders) and payment plan options. I also have added a blog with some of my most personal stories. If you like what I do, please check it out and share. I need your shares and referrals to continue living this dream. I can’t do what I do without you.

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

#MostlyForHer

Make a donation below and I’ll send you a hand-written post-it poem from my “Mostly For Her” collection. 

DONATE HERE

acrylicalchemy: Michael Carini | LEARN MORE Al…

acrylicalchemy:

Michael Carini | LEARN MORE

All of the paintings from my April/May 2012 artist residency with Alexander Salazar Fine Art were named after the strangers I encountered and interacted with on the streets of Downtown San Diego. For 50 days, I literally became “The Boy In The Box” as I worked, on public display, from this little box on Broadway.

 
“Hidensique” was named after a quiet and elusive man that I noticed passing by day after day during my first week. He would always slow as he passed, but keep moving without stopping or coming in. He would just watch from the window, as many did, not wanting to intrude. After establishing that same pattern the first handful of days, he popped his head in around the end of the week and asked if he could share something. He introduced himself as Enrique and was always carrying a staff with him. It was an easy way to recognize him considering my head was buried in my work 12-15 hours a day. He told me that my work had stopped him in his tracks and really spoke to him, inspiring him to write a poem the night before. Though he did not want to show his face, he offered to share that poem on one of the videos documenting my experience. I named “Hidensique” after Enrique. It’s an abstract composite of his name and the game “Hide-and-Seek” because of his elusive nature. 

Most of these strangers passing by and interacting with me had no idea that they were my creative inspiration and were becoming pieces of my work during my residency. Because Enrique passed by almost daily, he had a chance to see the painting he inspired before my time ended as “The Boy In The Box.” It brought him to tears. We kept in touch for a brief period after my residency, but as just as he did during my residency, he eventually faded into the distance and disappeared. I know he’s still out there somewhere, probably still watching my work progress from a new window.

You can hear that poem at CariniArts.com under the description of “Hidensique.” If you like my work or stories, please follow and share. You make what I do possible. I could not do this without you.

Michael Carini | LEARN MORE

Michael Carini | LEARN MORE

Do you remember that self-portrait of depression I shared last week? My newest creation is complete. “Between The Gates (The Alchemist’s Key)” is finally complete. This one really tested me but it was imperative I finish it during Mental Health Awareness Month. Though it was an up and down journey, it played out exactly as it needed to and it really couldn’t have gone any other way for me to arrive where I did. This one kind of blew my mind to be truthful. I will be going on Instagram Live (@acrylicalchemy) today to discuss some of the subtleties and symbolism because there is a whole lot more to this painting than meets the eye.

This painting reflects upon being trapped between two gates and the search for the key to escape. The truth is, you already have it. You are the key. You are the key to everything in your life. It is also up to you to determine which gate you open. The same key opens both gates and only you can make the decision. One gate leads to regret, but it’s a practical road filled with familiar comforts. The other gate leads to everything you ever dreamed of, but it will require you to crawl through hell to get there and it will sometimes feel as if that hell has no end. Decide-

If you like my work or myself stories, please share. You make what I do possible. Please also check out CariniArts.com and share your favorite stories with those you feel may need to hear them.

acrylicalchemy: Michael Carini | SHOP HERE Be…

acrylicalchemy:

Michael Carini | SHOP HERE

Behind The Paint-Working on the new painting I’ve been doing live on IG. “When Nobody Else Would Love Me (I Had To Learn To Love Myself)” is a work in progress much like myself. It requires daily effort and some days more than others. It’s necessary though to complete the painting…and to complete myself.

I’ve really enjoyed this color scheme and I think it is one of the most powerful. Some of these colors are of equal brilliance or intensity which results in some interesting optical effects. The color red is the color of physical energy, passion, courage, power, will, and desire. The Root Chakra is stable and grounding. Red is powerfully linked to our most primitive physical and emotional needs of survival and self preservation. Red symbolizes energy, action, confidence, courage, and change. Green is the color of life, renewal, nature, and energy, is associated with meanings of growth, harmony, freshness, safety, fertility, and environment. It is also the Heart Chakra and thus the color of love. Of course there are some variations and extensions of these colors in this painting, but they form a strong foundation and base. As complementary colors, working in conjunction with one another, they create balance.

You never know when FB and IG are going to crash again. Have yourself a backup plan and buy some art from yours truly so you have something to look at in case it does 😉

acrylicalchemy: Michael Carini | LEARN MORE Ph…

acrylicalchemy:

Michael Carini | LEARN MORE

Phoenix rising necklaces available. Also available as bracelet, jewelry box, hoodie, shirt, leggings, and more. Get yours at CariniArts.com and rise like the phoenix you are.

“Reconstruction of the Chimera (Zachericle)” tells the story of the mythological phoenix while also incorporating personal narrative elements and concepts of the ouroboros & chimera. Created during my 2012 artist residency, it was inspired by a young man named Zach. Zach would stop by on a daily basis to grab a piece of candy from the bucket I left by the door for those passing by. One day, Zach decided to step in a little further than usual which led to a deeper conversation. I handed Zach a print of my work for stopping by, at which point tears welled up in his eyes. It was at that time that Zach told me he had been living on the street and was just accepted into a program where he would have a bed to sleep for the first time in a long time. My print, he said, was one of the only things in his possession that he could call his own, and the first thing for him to hang above his bed. By the time I finished this painting, Zach had stopped coming by. I don’t believe he ever saw it and hopefully that’s because he’s doing well. Sometimes we just need a chance to start over.

The ashes in this piece are from a painting I burned titled “The Transmutation of Miss-Tere” and the cut fragments are from a piece titled “Sacrifices and Second Chances (The Day Eye Made The Devil Blink).”

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acrylicalchemy: Michael Carini | LEARN MORE A …

acrylicalchemy:

Michael Carini | LEARN MORE

A lot of my work and content explores themes of rebirth and rising from the ashes. Rising from the ashes isn’t a one time thing. It’s not one and done. We often need to build ourselves up to tear ourselves down and then do it again…and again…and again. It’s a cyclical process of conditioning and rebuilding that is necessary for growth. Each time the goal is to rise and fly higher and higher, but it’s imperative to know when it’s time ignite the flames so we may rise again… dusty, dirty, and covered in ashes from the burning embers 🔥

These shots are from a shoot with Christa Maier where we sacrificed one of my most valuable paintings called “Because Nothing Never Was (Suicide Note).” I don’t sacrifice my art because of lack of value. I sacrifice my art specifically because of value. In order to obtain, a sacrifice must be made. This is the law of equivalent exchange and it is a key component of Acrylic Alchemy. Difficult sacrifices must be made in the name of growth and this was mine. Sometimes pieces of us must by laid to rest so that others may rise 🦅 This shoot required me to cover myself in ash (from the sacrificially burned painting) and gold paint (which you can see on my hand) and lay naked in the burning embers. It was one of the most powerful shoots I’ve ever done and also included a beautiful video and even a blooper real because you just can’t take life too seriously or it will consume you. You all have what it takes to rise and start anew. Are you willing to make the sacrifice 🌹

Learn more at CariniArts.com and see the video HERE

If you like what I do, please share my work. I can’t do what I do without your support.