Feminism and fluff : an overview

malchikelf:

lordvoldemortsnipple:

malchikelf:

art-nimals:

As Women’s History Month comes to a close, let’s take a second to remember the seasonly lingerie promos we received and the lectures we heard from that one teacher. We’ve all been there, as, this month, everyone around us jumped on the woman’s history bandwagon… Naturally, Artnimals just had to chirp in at the last minute. So what does animal art have to do with women’s history, exactly ? Well, actually… everything.

To rest the case of animal art being feminist as f, let us reminisce the good old times when sexism was even more of a pain in the (insert cat emoji here). Things aren’t perfect now, but back in the day, the art field was really a man’s world… And women were barely aloud to paint or sculpt anything. Vasari, a Renaissance painter and art historian, reportedly said « Men create, women procreate ». Sadly, that about summed it up for everyone.

On top of that, art followed a strict hierarchy. While the depiction of human actions (think portraits and historical scenes) was highly praised, the representation of animals was regarded as a lower art form. Women weren’t easily accepted into the academies that controlled the art world… and weren’t always allowed to represent men (that would just be obscene !), or use live models (once again, OB-SCENE I SAY). So, it was just simpler to represent their furry friends. That’s why many women expressed their creativity by picturing animals. Here are three examples of badass female artists who didn’t give a damn about artistic standards.

Let’s start with French painter and sculptor Rosa Bonheur (1822 – 1899).

In 1851, her career was propelled as the public went crazy for her painting The Horse Fair. Her work was so good that a critic wrote “It’s really a man’s painting : edgy, solid, and frank.”… As if a woman couldn’t have made such a masterpiece !

Later, the writer and critic Theophile Gautier said “With Miss Rosa Bonheur, there’s no need for chivalry : she makes art seriously, and you can treat her as if she were a man.” In a very misogynistic era, Rosa managed to be seen as an equal.

In her time, it was forbidden for a woman to wear pants… But as they were more practical than big skirts to look around for inspiration in the animal trade shows, she was one of the only women to be allowed to dress like a man !

Louise Bourgeois (1911 – 2010) was another powerful and empowering artist. And, yes, that’s her posing with a giant penis

Louise Bourgeois is most famous for her sculptures of giant spiders. I know it may look scary and gross… but this work actually celebrates female creativity and strength. Bare with me.

The artist explains that the spider represents her mother. « She was my best friend. Like a spider, my mother weaved. Ma family worked in the restauration of tapestries and my mother was in charge of the studio. And, like spiders, my mother was very smart. Spiders are friendly presences that devour mosquitos. As we all know, mosquitos spread diseases and are harmful. Therefore, spiders are beneficial and protective, just like my mother was. »

Finally, no article about art, animals, and feminism would be complete without mentioning the Guerrilla Girls (1984 – today).

The Guerrilla Girls are a group of female artists who wear gorilla masks (guerrilla – gorilla… get it ? It’s punny !). They create posters, books, and performances that deal with sexism and racism.

It all started in 1984, when the exhibit titled « An International Survey of Painting and Sculpture » opened at the Met Museum. Although the show was advertised as an accurate overview of the art world… out of 169 artists, only 13 were women. And all of them were white ! As should have been expected, a lot of female artists were offended by the lack of diversity, and gathered to form the group now snowed as the Guerrilla Girls.

« We joined a long tradition of (mostly male) masked avengers like Robin Hood, Batman, The Lone Ranger, and Wonder Woman. »

One poster at a time, the Guerrilla Girls prove that feminists do have a sense of humor, after all !

Despite Vasari actually 

I’ve recently been to the Guggenheim Museum Bilbao, and they had a big exhibition on Louise Bourgeois’s work, including her very last piece, which she made at the age of 97

That staircase is from her actual apartment, and it’s part of a series about her being forced to leave her home because the building was going to be demolished. She was 97 years old!! I don’t think I can say this enough times

And she’s dark af?? Her work is amazing tbh look at this

And her sense of humour? Her stories were weird but man do you remember them

And I know turning misery/pain into art is cliche, but the pieces she did to deal with leaving her home?? Look at this!!

And she made this piece where doors made up a prison cell, and you can get inside and it’s really powerful. I cant find decent pictures of it, and this is getting way too long, but this woman!!! 

(sorry for highjacking your post, @art-nimals, I just got really excited about this amazing artist!)

ooh, nice info. I already knew a bit about Rosa Bonheur, but not about Louise Bourgeois.